An ordinary hole beside a path through the woods might begin to open to altered worlds. — Jane Hirshfield Copy Share Image
Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the… — Jane Hirshfield Copy Share Image
Art keeps its newness because it's at once unforgettable and impossible to remember entirely. Art is too volatile, multiple and evaporative to… — Jane Hirshfield Copy Share Image
Poems offer us counter-knowledges. They let us see what is invisible to ordinary looking, and to find in overlooked corners the opulence… — Jane Hirshfield Copy Share Image
I don't have a cell phone (though for years I've kept saying, "soon"). — Jane Hirshfield Copy Share Image
I once was asked to contribute to a mushroom poem anthology. I didn't have anything, and so instead ended up writing the introduction. I… — Jane Hirshfield Copy Share Image
Everything has two endings- a horse, a piece of string, a phone call. Before a life, air. And after. As silence is not silence,… — Jane Hirshfield Copy Share Image
A certain amount of housekeeping also goes on in my poems. I wash doorknobs, do dishes, mop floors, patch carpets, cook. — Jane Hirshfield Copy Share Image
Self carries grief as a pack mule carries the side bags, being careful between the trees to leave extra room. — Jane Hirshfield Copy Share Image
My job as a human being as well as a writer is to feel as thoroughly as possible the experience that I am part… — Jane Hirshfield Copy Share Image
I want to preserve a certain unknowing about my own poems - perhaps because unknowing is in itself a useful poetic thirst. To move… — Jane Hirshfield Copy Share Image
Habit, laziness, and fear conspire to keep us comfortably within the familiar. — Jane Hirshfield Copy Share Image
Metaphors think with the imagination and the senses. The hot chili peppers in them explode in the mouth and the mind. — Jane Hirshfield Copy Share Image
