All of the little entries in 'The Cows' were written in an irregular way. There might be one or two done one day, and then two weeks might go by or four weeks, and then they were put in an… — Lydia Davis Copy Share Image
Heart weeps. Head tries to help heart. Head tells heart how it is, again: You will lose the ones you love. They will all… — Lydia Davis Copy Share Image
“But on that particular day I did not even begin to feel interested in this chore, and was suddenly more deeply bored than I… — Lydia Davis Copy Share Image
If a translation doesn't have obvious writing problems, it may seem quite all right at first glance. We readers, after all, quickly adapt to… — Lydia Davis Copy Share Image
I always interrupt work with other work, either in a small way or big way, so that's normal. — Lydia Davis Copy Share Image
I worked more intensively hour after hour when I was starting out [writing]. More laboriously. I'd say quantity is important as well as quality,… — Lydia Davis Copy Share Image
I don't feel I have to struggle against allegory. I let the readers do the interpreting. — Lydia Davis Copy Share Image
“because she couldn’t write the name of what she was: a wa wam owm owamn womn” — Lydia Davis Copy Share Image
“Everything was sharper, clearer, and closer, as though, before, I had been seeing only little bits at a time, not all of it, of… — Lydia Davis Copy Share Image
“He did not know exactly when to thank his hostess after attending a dinner or a weekend party. In his uncertainty, he would thank… — Lydia Davis Copy Share Image
“There was no confusion of our bodies. I knew which arm was his and which mine, and which leg, and which shoulder. I did… — Lydia Davis Copy Share Image
“So it’s not really $100 a shot because it goes on all day, from the start when you wake up and feel her body… — Lydia Davis Copy Share Image
“The people of the town, though, remained strangers: I could not realize that I must be seeing some of them over and over again,… — Lydia Davis Copy Share Image