It's been about 15 years, and I've never really worked seriously in CGI and I thought that here was an opportunity to do the kinds of things that I was not able to do on Ghostbusters. — Ivan Reitman Copy Share Image
I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft… — Ivan Reitman Copy Share Image
I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of… — Ivan Reitman Copy Share Image
It's sort of the most important thing for acting, is to listen to the person you're dealing with. — Ivan Reitman Copy Share Image
Much of romantic relationships today have to do when the people are not in the same room. Whether it’s texting or emailing or Facebooking,… — Ivan Reitman Copy Share Image
My sense is, I think it's okay for directors to do movies that speak to other work in their career. — Ivan Reitman Copy Share Image
We watch movies about all sorts of things that we don't know anything about, but we do get caught up in the human drama. — Ivan Reitman Copy Share Image
I don't think there will be another Ghostbusters. I think we're all too old to do it. I think we've done it a couple… — Ivan Reitman Copy Share Image
The hardest thing for everyone, for the writer, for the director and certainly for the actors, is not to panic when they're doing a… — Ivan Reitman Copy Share Image
I don't think my sense of humor has changed at all; I was born with this, for better or for worse. — Ivan Reitman Copy Share Image
Movies either work or they don't work and they're either funny or they're not and we work very hard. To achieve that kind of… — Ivan Reitman Copy Share Image
My first student film was Orientation, which was basically the set-up for Animal House. There are a couple of scenes that we later borrowed… — Ivan Reitman Copy Share Image
