Who one was, where one came from, what one was expected to be, the height of courage and character that were to be achieved, were woven into the fabric that linked oneself to all. . . — Nathan Huggins Copy Share Image
For the Afro-American in the 1920's being a 'New Negro' was being 'Modern'. And being an 'New Negro' meant, largely, not being an 'Old Negro', disassociating oneself from the symbols and legacy of slavery - being urbane, assertive militant. — Nathan Huggins Copy Share Image
Who one was, where one came from, what one was expected to be, the height of courage and character that were to be achieved,… — Nathan Huggins Copy Share Image
The vogue of the New Negro . . . had all of the character of a public relations promotion. The Negro had to be… — Nathan Huggins Copy Share Image
For the Afro-American in the 1920's being a 'New Negro' was being 'Modern'. And being an 'New Negro' meant, largely, not being an 'Old… — Nathan Huggins Copy Share Image
