“Ambivalence and contradiction energize nearly every figure Michaelangelo carved, from the adolescent Madonna of the Stairs onward...But the four allegories atop the sarcophagi raise them to a symphonic crescendo. Each is a battleground of conflicting emotions and motives, in which… — Eric Scigliano Copy Share Image
“Ambivalence and contradiction energize nearly every figure Michaelangelo carved, from the adolescent Madonna of the Stairs onward...But the four allegories atop the sarcophagi raise… — Eric Scigliano Copy Share Image
