If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old… — Jerry Saltz Copy Share Image
The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs… — Jerry Saltz Copy Share Image
The New York gallery scene being as incredibly overpopulated and overmoneyed as it is, deep conflicts and contradictions aren't hard to find. — Jerry Saltz Copy Share Image
Mark Grotjahn's large new paintings abound with torrents of ropy impasto, laid down in thickets, cascading waves, and bundles that swell, braid… — Jerry Saltz Copy Share Image
The New York art world readily proves people wrong. Just when folks say that things stink and flibbertigibbet critics wish the worst… — Jerry Saltz Copy Share Image
A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we… — Jerry Saltz Copy Share Image
Now people look at 'The Scream' or Van Gogh's 'Irises' or a Picasso and see its new content: money. Auction houses inherently… — Jerry Saltz Copy Share Image
New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable… — Jerry Saltz Copy Share Image
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a… — Jerry Saltz Copy Share Image
Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal,… — Jerry Saltz Copy Share Image
'The Panorama' is also the last place anywhere in New York where the World Trade Center still stands, whole, as it stood… — Jerry Saltz Copy Share Image
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I… — Jerry Saltz Copy Share Image
Every movement that slays its gods creates new ones, of course. I loathe talk of the sixties and seventies being a 'Greatest… — Jerry Saltz Copy Share Image
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place.… — Jerry Saltz Copy Share Image
It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. He's the modern Giotto, someone who shattered one… — Jerry Saltz Copy Share Image
These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish… — Jerry Saltz Copy Share Image
I see artists bored by light-without-heat, irked at gigantic galleries' pushing out art-as-product, leaving behind the over determined for the undetermined, guided… — Jerry Saltz Copy Share Image
After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades -… — Jerry Saltz Copy Share Image
John Currin's exaggerated realism and his twisted women kept me off balance, never knowing if they were sincere or ironic or some… — Jerry Saltz Copy Share Image
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums,… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share
The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewer's journey, shifts the emphasis from process… — Jerry Saltz Copy Share
Art schools are partly the villain here. (Never mind that I teach in them.) This generation of artists is the first to have been… — Jerry Saltz Copy Share
There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The… — Jerry Saltz Copy Share
