There are two parts of me. There's the really critical, film-nerd part of me that loves that, and then there's the part of me where I'm like, "I really didn't like that movie, but I want to work with that… — Anton Yelchin Copy Share Image
I'm sure there are directors who don't like to work with actors and don't know how to be sensitive to actors. — Anton Yelchin Copy Share Image
I've always been drawn to a certain kind of dark aesthetic in cinema and in film, to what's abjected or considered abject. I've been… — Anton Yelchin Copy Share Image
I usually bring a point and shoot with me so I can go out on the weekends and shoot a bit. I used to… — Anton Yelchin Copy Share Image
Russia itself is an extremely complex country, and sometimes I feel like all of that comes back to haunt me. I can see why… — Anton Yelchin Copy Share Image
Most of the girls I know are from my school. I've gone to school with the same people since fourth grade, so I can't… — Anton Yelchin Copy Share Image
Teenagers are like atoms when they're moving at hundreds of miles an hour and bouncing off each other. Everybody's got such a crazy hormonal… — Anton Yelchin Copy Share Image
I think the beauty of images is that they are by definition fetishes and every image (banal or not) as a fetish holds within… — Anton Yelchin Copy Share Image
I think what inspires me is in a constant state of flux...it's easier to stick to photographers and perhaps cinematographers, though the great medieval,… — Anton Yelchin Copy Share Image
I think its important for movies to recognize that they are part of a history of movies. I also think that most movies are… — Anton Yelchin Copy Share Image
The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with… — Anton Yelchin Copy Share Image
