I want each poem to be ambiguous enough that its meaning can shift, depending on the reader's own frame of reference, and depending on the reader's mood. That's why negative capability matters; if the poet stops short of fully controlling… — James Arthur Copy Share Image
I believe strongly in what John Keats called negative capability: the trait or practice that allows a poet to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason. For Keats, William Shakespeare exemplified negative capability, and… — James Arthur Copy Share Image
Me and my mum didn't see eye-to-eye for a lot of years, and I've never really felt connected with my dad, because he wasn't… — James Arthur Copy Share Image
I'm a mix; I'm sure some of my Canadian friends find me very American, both in person and on the page. — James Arthur Copy Share Image
I often write from memory by walking around and talking to myself. Even when I'm working at a computer I write out loud, so… — James Arthur Copy Share Image
I'd like to think that maybe the average person is rational, and they realise that I'm not this crazy monster that, at times, I've… — James Arthur Copy Share Image
It can feel like your whole world is caving in on you, and if you don't speak about it, it gets worse. You have… — James Arthur Copy Share Image
If art doesn't require an audience, can an intimate conversation be a work of art? Can a thought be a work of art? Maybe.… — James Arthur Copy Share Image
And treating poetry as a performing art emphasizes its ephemerality. A printed poem can be endlessly reprinted, photocopied, scanned, uploaded, cut and pasted -… — James Arthur Copy Share Image
I want each poem to be ambiguous enough that its meaning can shift, depending on the reader's own frame of reference, and depending on… — James Arthur Copy Share Image
People were telling me it was refreshing I was real because previous 'X Factor' winners were too afraid to say anything. I decided to… — James Arthur Copy Share Image
