It's important to let everybody understand where people are at in the movie, in the sense of the landscape. You need people to invest in this world, so you need to give a sense of who, what, and where things… — Ti West Copy Share Image
It's not the plot [of Valley of Violence] - the plot is the reason to get all these things to happen, all these character… — Ti West Copy Share
Technology has just been the major progression of the last 15 years - instant communication. That stuff has gone so global. That's what's interesting… — Ti West Copy Share
I wrote [Valley of Violence] entirely with James Ransone in mind. I get such a joy out of watching his performance and seeing people… — Ti West Copy Share
Conversations about piracy don't have to be condemning. They don't have to be preachy, self serving or reactionary. — Ti West Copy Share
Because everybody is so ADD and everybody is trying to move the plot so fast, there's very little sense of geography in movies anymore.… — Ti West Copy Share
You get to actually make your movie. As a filmmaker, that's the dream. That's why you get up in the morning, to be able… — Ti West Copy Share
It would be dishonest to say winning an Oscar wouldn't be awesome. I'm sure it would be great, but if it matters all that… — Ti West Copy Share
In general, I go to see the stuff that for me is, "Thank God for that actor, he's doing something that I never imagined;… — Ti West Copy Share
It's one of those things, when you look back on it, you'd go, "Oh, I could've done without that. If I could go back… — Ti West Copy Share
I've messed with Ouija boards. And I've snuck into the basement of an abandoned mental hospital that's supposed to be haunted, that kind of… — Ti West Copy Share
For me, the goal of directing is to feel like you're experiencing what the character is going through, whether they're slowly walking or running. — Ti West Copy Share
It's fun when someone who ordinarily wouldn't watch 'Nightmare on Elm Street 4' is like, 'Well, it's on TV and I'm curious to see… — Ti West Copy Share
