Everyone is interesting except the narrator in a first-person story. — William Kennedy Copy Share Image
One naturally identifies to some extent with an "I" female narrator going through something that you recognize whether you've gone through it… — Ann Goldstein Copy Share Image
My biggest lesson ... was to try and create narrators that were believable. ...so the listener becomes really invested in the story… — Kristian Bush Copy Share Image
Using a first-person narrator is simply a matter of hearing the voice inside yourself. — James Lee Burke Copy Share Image
My narrators tend to be women with low self-esteem, so I can send them to charm school. — Elinor Lipman Copy Share Image
As a writer I'm not an explainer, really. I'm a narrator. I mistrust explanation. — D. T. Max Copy Share Image
Simply adored Timothy Schaffert's The Coffins of Little Hope: the voice of Essie, the narrator, is terrific & the last line blew… — Nancy Pearl Copy Share Image
I think every first-person narrator in a novel should be compromised. I prefer that word to 'unreliable.' — Charles Palliser Copy Share Image
Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator… — Manuel Puig Copy Share Image
She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong… — Anna Godbersen Copy Share Image
When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of… — Ben Lerner Copy Share Image
The Polar Express was the easiest of my picture book manuscripts to write... Once I realized the train was going to the… — Chris Van Allsburg Copy Share Image
I make very involved drawings, even little structures, and try using design to figure out the rhythm of a plot. If there… — Louise Erdrich Copy Share Image
I had this story from one who had no business to tell it to me, or to any other. I may credit… — Edgar Rice Burroughs Copy Share Image
Using a dog as a narrator has limitations and it has advantages. The limitations are that a dog cannot speak. A dog… — Garth Stein Copy Share Image
I have no policy, for or against: only a personal style. Which is to say, I use them when I think it's… — Charles Stross Copy Share Image
A poet or prose narrator usually looks back on what he has achieved against a backdrop of the years that have passed,… — Eyvind Johnson Copy Share Image
I learned capacity for self-reflection very early, finding it through interior monologues that books are so good at and that visual media… — Jeanette Winterson Copy Share Image
“The underlying and more ominous question is whether the story of our species — the greater human narrative — has simply become… — Steve Almond Copy Share Image
Early on, I settled on the first-person strategy as a way to deal with exposition and world-description issues. As long as the… — Neal Stephenson Copy Share Image
Kerouac's books portray a hero and narrator free and easy, confident, sure of his rebellion against the American system. In reality, Jack… — Gerald Nicosia Copy Share Image
To what or whom does Lizzie Harris direct the imperative title of her startling first book, Stop Wanting? To the reader, the… — Lynn Emanuel Copy Share Image
The ‘I’ character in journalism is almost pure invention. Unlike the ‘I’ of autobiography, who is meant to be seen as a… — Janet Malcolm Copy Share Image
At a time when history made its way slowly, the few events were easily remembered and woven into a backdrop, known to… — Milan Kundera Copy Share Image
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling… — F. Scott Fitzgerald Copy Share Image
It is rare and almost impossible for a novel to have only one narrator. — Mario Vargas Llosa Copy Share Image
Fatal human malice is the staple of narrators, original sin the mother-fluid of historians. But it is a risky enterprise to have… — Thomas Keneally Copy Share Image
I write unreliable narrators because - paradoxically - they're the most honest, true-to-life kind there is. — Ruth Ware Copy Share Image
My first job after my retirement from baseball was as a narrator for the Eastman Philharmonica. — Willie Stargell Copy Share Image
I can't reasonably pretend to be a transparent and omniscient narrator who brings no personal perspective. That person doesn't exist. — Molly Crabapple Copy Share Image
I think narrators expect a high level of intimacy with their readers, and vice versa. — Tom Barbash Copy Share Image
First-person narrators is the way I know how to write a book with the greatest power and chance of artistic success. — Anne Rice Copy Share Image