In the exhibition at Galerie Perrotin, they have the Sarajevo painting - I think it's very good to nail down this story… — Erro Copy Share Image
Things are forgotten so fast today. Even if 1,000 people are slaughtered, the next day you forget. There has to be new news every day. — Erro Copy Share Image
I lived on Fulton Street in an enormous studio - I needed a bicycle to get to the toilet, about half a mile between… — Erro Copy Share Image
[Some people] put their work on the internet and check every day how many people look, how many people made contact, but I don't… — Erro Copy Share Image
In the exhibition at Galerie Perrotin, they have the Sarajevo painting - I think it's very good to nail down this story of Pol… — Erro Copy Share Image
I work on a political subject quite often, and the paintings, for me, are not finished until they're printed. — Erro Copy Share Image
Every five, six, seven, eight, 10 years I do a raisonné. When it's printed in the book, it's finished. — Erro Copy Share Image
I have very warm memories about New York, about the old times, mostly the '60s. — Erro Copy Share Image
The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end,… — Erro Copy Share Image
I'd love to be considered a post-pop artist, but I love to have five or six different styles in every painting, just for the… — Erro Copy Share Image
There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo… — Erro Copy Share Image