Coming out as a Barbra Streisand fan was way more embarrassing than coming out as a lesbian. To be an artist of… — Deborah Kass Copy Share Image
Appropriation was the language of my generation in many ways. It came out of Duchamp, Warhol, Johns, Lichtenstein. — Deborah Kass Copy Share Image
To be an artist of my generation willing to be unhip -artists were supposed to be like cowboys. — Deborah Kass Copy Share Image
A lot of Broadway has that immigrant narrative of America as a place where you can become something else against all odds. — Deborah Kass Copy Share Image
I am not alone in thinking that we are at a tipping point ecologically and morally and politically. Democracy cannot survive without a vibrant… — Deborah Kass Copy Share Image
I have that memory of dancing on my father's feet to all the music my parents used to listen to. — Deborah Kass Copy Share Image
Social issues have been used to distract Americans from their own self interests since Nixon's southern strategy, and now people are paying the price. — Deborah Kass Copy Share Image
My work since the late '80s specifically questioned what was presented as the "natural" order of things in the history of post war NY… — Deborah Kass Copy Share Image
Coming out as a Barbra Streisand fan was way more embarrassing than coming out as a lesbian. To be an artist of my generation… — Deborah Kass Copy Share Image
Appropriation was the language of my generation in many ways. It came out of Duchamp, Warhol, Johns, Lichtenstein. — Deborah Kass Copy Share Image
My work since the late '80s specifically questioned what was presented as the 'natural' order of things in the history of post-war-N.Y. painting. — Deborah Kass Copy Share Image
To be an artist of my generation willing to be unhip -artists were supposed to be like cowboys. — Deborah Kass Copy Share Image
