I wanted to get rid of the element that had been considered essential in pop music: the voice. — Brian Eno Copy Share Image
Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to… — Brian Eno Copy Share Image
In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter. — Brian Eno Copy Share Image
When I finish something, I want it out that day. Pop music is like the daily paper. Its got to be there… — Brian Eno Copy Share Image
For me it's always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it's always… — Brian Eno Copy Share Image
Gospel music is never pessimistic, it's never 'oh my god, its all going down the tubes', like the blues often is. — Brian Eno Copy Share Image
Don't be ashamed of your own ideas. Most musicians get applauded for sounding like someone else. — Brian Eno Copy Share Image
When I started working on ambient music, my idea was to make music that was more like painting. — Brian Eno Copy Share Image
It's insane that, since the Beatles and Dylan, it's assumed that all musicians should do everything themselves. It's that ridiculous, teenage idea… — Brian Eno Copy Share Image
You just make different music on a computer. And you can make wonderful music on a computer, but don't pretend that the… — Brian Eno Copy Share Image
Pop music can absorb so many peculiar talents, ranging from the completely nonmusical poseur who just uses music as a kind of… — Brian Eno Copy Share Image
I got an amazing 10-CD set, it's the music that Alan Lomax recorded in Haiti in 1936. And what's incredible is how… — Brian Eno Copy Share Image
I like the idea of a kind of eternal music, but I didn't want it to be eternally repetitive, either. I wanted… — Brian Eno Copy Share Image
By the mid-'60s, recorded music was much more like painting than it was like traditional music. When you went into the studio,… — Brian Eno Copy Share Image
A way to make new music is to imagine looking back at the past from a future and imagine music that could… — Brian Eno Copy Share Image
Except in a few cases like Music for Airports, which was a very clear case of noticing a niche [and] saying, "Okay,… — Brian Eno Copy Share Image
People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious. "Ah, yes, that's electronic… — Brian Eno Copy Share Image
The time I like listening to music most on headphones is, I have a game I play with my brother, he's a… — Brian Eno Copy Share Image
Basically, you're still sitting there using just the muscles of your hand, really. Of one hand, actually. It's another example of the… — Brian Eno Copy Share Image
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said… — Brian Eno Copy Share Image
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to… — Brian Eno Copy Share Image
Avant-garde music is sort of research music. You're glad someone's done it but you don't necessarily want to listen to it. — Brian Eno Copy Share Image
The most important thing in a piece of music is to seduce people to the point where they start searching. — Brian Eno Copy Share Image
There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial:… — Brian Eno Copy Share Image
I used to think that, given enough goodwill, anybody would be able to 'get' any music, no matter how distant the culture… — Brian Eno Copy Share Image
At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which… — Brian Eno Copy Share Image
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular. — Brian Eno Copy Share Image
I've got a feeling that music might not be the most interesting place to be in the world of things. — Brian Eno Copy Share Image
Most of those melodies are me trying to find out what notes fit, and then hitting ones that don't fit in a… — Brian Eno Copy Share Image
The lyrics are constructed as empirically as the music. I don't set out to say anything very important. — Brian Eno Copy Share Image
Lyrics are always misleading because they make people think that that's what the music is about. — Brian Eno Copy Share Image
In England and Europe, we have this huge music called ambient - ambient techno, ambient house, ambient hip-hop, ambient this, ambient that. — Brian Eno Copy Share Image
Although cover notes for classical music albums tend to say that the trill of flutes suggests mountain streams and so on, I… — Brian Eno Copy Share Image
I always have wanted to know how the whole thing was done, what the process involved. And I don't particularly enjoy that… — Brian Eno Copy Share Image
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and… — Brian Eno Copy Share Image
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music… — Brian Eno Copy Share Image
Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation,… — Brian Eno Copy Share Image
I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize… — Brian Eno Copy Share Image
I have lived in countries that were coming out of conflict: Ireland, South Africa, the Czech republic. People there are overflowing with energy. — Brian Eno Copy Share
The lyrics are constructed as empirically as the music. I don't set out to say anything very important. — Brian Eno Copy Share
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular. — Brian Eno Copy Share
Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one! — Brian Eno Copy Share
I despise computers in many ways. I think they’re hopelessly underevolved and overrated. — Brian Eno Copy Share
I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being… — Brian Eno Copy Share
I think that's very significant that we're so attached to the idea now of - it was something I advocated for years, that you… — Brian Eno Copy Share
If you watch any good player, they're using different parts of their body and working with instruments that respond to those movements. They're moving… — Brian Eno Copy Share
Songs that don't depend on composition depend instead on performance - so the fire has to be there in the playing. — Brian Eno Copy Share
I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but… — Brian Eno Copy Share
I wanted to get rid of the element that had been considered essential in pop music: the voice. — Brian Eno Copy Share
At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then… — Brian Eno Copy Share
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them… — Brian Eno Copy Share