On 'Underground,' we had used contemporary music to pull you into the present and not just look at it as a portrait on the wall and in the past. — Misha Green Copy Share Image
Music has this ability to bridge time. You can hear a song from the 1920s and still be like, 'Oh, that's it. That's the feeling I have right now.' — Misha Green Copy Share Image
'Lovecraft Country' is reclaiming all these pulp genres for people of color. — Misha Green Copy Share Image
Horror is my favorite genre, but it works best for me when it's a metaphor on top of something we can all relate to. — Misha Green Copy Share Image
The Underground Railroad was a spy network for the North and that story has never been told. — Misha Green Copy Share Image
For me, I feel like horror space has always been a space of the other, even when it's not people of color or black… — Misha Green Copy Share Image
When I first read 'Lovecraft Country' I knew it had the potential to be unlike anything else on television. — Misha Green Copy Share Image
You know, being an 'other' in this world, you're walking around in a horror movie at all times, you're always on edge and wondering… — Misha Green Copy Share Image
Oppression is not limited to people of color, but if you feel guilty that's something you should confront. — Misha Green Copy Share Image
'Get Out' definitely brought it to the mainstream, but you can look back at the original 'Night of the Living Dead' and that's definitely… — Misha Green Copy Share Image
The Underground Railroad was the first integrated civil rights movement. And it's a great example of when we work together, what we can go… — Misha Green Copy Share Image
If the actors aren't reacting the way people would react, that's where you step into disbelief. — Misha Green Copy Share Image
