Beginning in the nineteenth century, with performers like Franz Liszt, were musicians who were able to excite an audience and communicate on… — David Finckel Copy Share Image
I think you can tell a lot from the lives of many of today's great soloists. Their participation and gravitation towards chamber… — David Finckel Copy Share Image
The pieces that have survived, the ones that we all love, were not all popular in their time. Just look at Beethoven's… — David Finckel Copy Share Image
When I finally got together with Rostropovich as a student, he was very focused, almost entirely focused on the music itself, on… — David Finckel Copy Share Image
Being an artist and a musician, I have witnessed the previous generation taking the art form, not as a way of making… — David Finckel Copy Share Image
A lot of my musical education was done simply by listening. If you really want to excel on your instrument, it's almost… — David Finckel Copy Share Image
I would say that for the younger musicians, technical proficiency is necessary and a given these days. But the study and the… — David Finckel Copy Share Image
Even if you are a pianist, your concerto repertoire is very limited compared to what your chamber repertoire would be if you… — David Finckel Copy Share Image
Our interpretations through the years and generations have always changed, but the emotions, ideas, and the thoughts of the composers are still… — David Finckel Copy Share Image
The realm of classical music is so vast - not only in terms of style but of era, age and the purposes… — David Finckel Copy Share Image
I think one of the most wonderful things we can do as performers is to remind audiences that they can still relate… — David Finckel Copy Share Image
We all know that there are many people that can play the instrument perfectly today, up and down with technical perfection, but does the… — David Finckel Copy Share Image
Beginning in the nineteenth century, with performers like Franz Liszt, were musicians who were able to excite an audience and communicate on a whole… — David Finckel Copy Share Image
I think you can tell a lot from the lives of many of today's great soloists. Their participation and gravitation towards chamber music is… — David Finckel Copy Share Image
The pieces that have survived, the ones that we all love, were not all popular in their time. Just look at Beethoven's late string… — David Finckel Copy Share Image
When I finally got together with Rostropovich as a student, he was very focused, almost entirely focused on the music itself, on what the… — David Finckel Copy Share Image
If I were to run around the world playing just the cello concertos - and believe me, I love playing them - I would… — David Finckel Copy Share Image
Being an artist and a musician, I have witnessed the previous generation taking the art form, not as a way of making a living,… — David Finckel Copy Share Image
A lot of my musical education was done simply by listening. If you really want to excel on your instrument, it's almost impossible to… — David Finckel Copy Share Image
I don't think too much about the past when I am actually playing, I prefer to concentrate on the present. The performance of a… — David Finckel Copy Share Image
I would say that for the younger musicians, technical proficiency is necessary and a given these days. But the study and the way you… — David Finckel Copy Share Image
Even if you are a pianist, your concerto repertoire is very limited compared to what your chamber repertoire would be if you were a… — David Finckel Copy Share Image
For Rostropovich, every single note that he played had a special kind of human meaning behind it. And this was something that he expressed… — David Finckel Copy Share Image
