We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped… — Luka Sulic Copy Share Image
We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so… — Luka Sulic Copy Share Image
We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as… — Luka Sulic Copy Share Image
When our video of 'Smooth Criminal' came out, suddenly we started getting all kinds of offers. We were getting calls from TV shows like… — Luka Sulic Copy Share Image
It has endless possibilities, and but what we do with our arrangements, we move the borders of cello playing and discover new ways of… — Luka Sulic Copy Share Image
People don't think of cello as a rock instrument, really, and we want people to know all the possibilities that the cello can offer. — Luka Sulic Copy Share Image
For us, it is all about breaking the boundaries between different genres of music and combining different styles of music and performing what we… — Luka Sulic Copy Share Image
Don't wait for someone to call you up. You can do anything. You have all the possibilities in the world. — Luka Sulic Copy Share Image
Of course, there will always be, you know, conservative classical people who will judge you, but you know, who cares about them? — Luka Sulic Copy Share Image
Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we've had was with our… — Luka Sulic Copy Share Image
Because in classical music cello is not regarded as a popular choice, it's always playing the long, boring notes. — Luka Sulic Copy Share Image
Everybody recommends New Zealand. I really want to learn this haka, the traditional dance - I love it; it's so cool. — Luka Sulic Copy Share Image
