When we were doing 'Five Centimeters Per Second,' at that time, Japan was in an era when it felt nothing would ever… — Makoto Shinkai Copy Share Image
I really wish it would only take two hours to make a two-hour movie. — Makoto Shinkai Copy Share Image
'Your Name''s success told me movies still have the power to connect with society. As a medium, it still has a power… — Makoto Shinkai Copy Share Image
When I made 'Voices of a Distant Star,' I wanted to make money from making that movie, of course, but that wasn't… — Makoto Shinkai Copy Share Image
The first I paid to see with my own money was 'Laputa Castle In The Sky.' And I was like, wow! I… — Makoto Shinkai Copy Share Image
In daily or everyday life, I am so impressed with tiny details, like when I look up at a street lamp falling on the… — Makoto Shinkai Copy Share Image
When I was growing up and until I got married, I had some times when I felt a bit lonely and a little bit… — Makoto Shinkai Copy Share Image
“When she came home, she smelled the way I like. But . . . her face seemed sadder than when she left.” — Makoto Shinkai Copy Share Image
“I love you. I can't remember when I fell in love with you but very naturally, I had fallen in love with you before… — Makoto Shinkai Copy Share Image
I was working in a gaming company, but I really wanted to make animation. I didn't really have anything special, no special tools at… — Makoto Shinkai Copy Share Image
The identity of Studio Ghibli movies are how the characters move. They move like live, real people. — Makoto Shinkai Copy Share Image
When we were doing 'Five Centimeters Per Second,' at that time, Japan was in an era when it felt nothing would ever change, so… — Makoto Shinkai Copy Share Image
When Ando arrives in the studio, he picks up his pen even before he gets a cup of tea, and he stays seated until… — Makoto Shinkai Copy Share Image
“I’ve been worried for a long time. I’ve just been doing what I could. I don’t really have much choice.” — Makoto Shinkai Copy Share Image
