I think the films Insomnia and Memento share all sorts of thematic concerns, such as the relationship between motivation and action, and the difficulty of reconciling your view of the story with the supposed objective view of that story. — Christopher Nolan Copy Share Image
In Hollywood there's a great openness, almost a voracious appetite for new people. In England there's a great suspicion of the new. In cultural… — Christopher Nolan Copy Share Image
“COBB: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you,… — Christopher Nolan Copy Share Image
When you play a videogame, you could be a completely different person than you are in the real world, certain aspects of the way… — Christopher Nolan Copy Share Image
The structural notions to me always have to be worked out very carefully in the script stage. Whatever a particular structure is. Whether it's… — Christopher Nolan Copy Share Image
I made 'Batman' the way I made every other film, and I've done it to my own satisfaction - because the film, truly, is… — Christopher Nolan Copy Share Image
The quality of racing continues to excel with starters increasing to 1496,. — Christopher Nolan Copy Share Image
I remember the initial genesis quite clearly. My interest in dreams comes from this notion of realizing that when you dream you create the… — Christopher Nolan Copy Share Image
If I could steal someone's dream myself, I'd have to go for one of Orson Welles. — Christopher Nolan Copy Share Image
To me, any kind of filmmaking that's reactive is not going to be as good as something more inventive and original. — Christopher Nolan Copy Share Image
“(On "Following") We've got a pretty serious claim on being the cheapest film ever made.” — Christopher Nolan Copy Share Image
