The black experience, which has nothing to do with my play 'Angels in America,' allowed me to understand the Mormon character. He was the character that couldn't come out to his mother. It allowed me to understand emotional and closeted… — George C. Wolfe Copy Share Image
I could program a 'fabulous, I love it' kind of hit season right now. I'm more interested in breaking boundaries, telling a story, defying… — George C. Wolfe Copy Share Image
The world doesn't see a lot of gray. The world sees black and white, and then it understands. — George C. Wolfe Copy Share Image
You adjust what you do depending on the actor. You evolve a vocabulary and a way of language and talking with each actor. — George C. Wolfe Copy Share Image
A lot of '20s musicals were a hodgepodge of melodrama, mixed with operetta and romance, and then some sense of modernism and some sense… — George C. Wolfe Copy Share Image
There is a real affection for these human beings on these stage that O'Neill really had. Out of that affection comes a lot of… — George C. Wolfe Copy Share Image
Our lives are connected in ways we can't imagine. They're connected even before we know they're connected. — George C. Wolfe Copy Share Image
If you have the talent and passion and commitment, you shouldn't be locked out of the room. — George C. Wolfe Copy Share Image
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving… — George C. Wolfe Copy Share Image
Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist. — George C. Wolfe Copy Share Image
Doing any kind of culture in America in which you are not trying to affirm a European aesthetic is war. — George C. Wolfe Copy Share Image
I was raised to believe that other people's suffering was my responsibility. — George C. Wolfe Copy Share Image
