I'm not really a knob-twiddler. I always work with an engineer; I'm not super hands-on when it comes to mixing boards and computers. I'm much more about what I'm hearing and what it needs to be like. I deal with… — Danger Mouse Copy Share Image
If you know what kind of music somebody loves, then you can kind of figure out why they do what they do. — Danger Mouse Copy Share Image
When I don't have a good time making music, I think of quitting a lot. I really do. I can create something else. I'll… — Danger Mouse Copy Share Image
Basically, the way I do it is I get to work with a bunch of people; get a bunch of great people together, and… — Danger Mouse Copy Share Image
Even with artists I love, only about a third of their music is what really hits the sweet spot for me. — Danger Mouse Copy Share Image
All I do is listen to music. It's a weird thing. It's like I have so much catching up to do. I've always been… — Danger Mouse Copy Share Image
The first two projects I did out of my dorm room were mock film soundtracks. — Danger Mouse Copy Share Image
The musicians themselves don't seem to know enough about why they're in the positions they're in, so they're afraid to lose those positions. — Danger Mouse Copy Share Image
I started out really making music in my dorm room, and it wasn't really producing or anything like that; it was you making something. — Danger Mouse Copy Share Image
Some people have been listening to the Beatles their whole lives; I didn't discover them until I was 18 years old. — Danger Mouse Copy Share Image
What affected me the most about the Beatles was that they were the biggest band in the world and they could have done anything… — Danger Mouse Copy Share Image
After the 'Grey Album,' everyone thought of me as the hip-hop guy, the remix maestro. I didn't know how to show them otherwise. — Danger Mouse Copy Share Image
