The good thing about being in advertising was a lot of the skills cross over: you have to be accountable for your jokes; you have to tell a story quickly. It's the most expensive filmmaking foot-for-foot in the world, so… — Victor Levin Copy Share Image
When your characters are not white hats or black hats but something in between, you do have to be very careful about your details.… — Victor Levin Copy Share Image
It's always hard, but it's always fun to attack a premise that you think is interesting. It does take a few drafts for sure. — Victor Levin Copy Share Image
You want to surround yourself with people who are as dedicated to their discipline as you are to yours and let them do what… — Victor Levin Copy Share Image
Sometimes you go against what they say because you believe in it anyway. — Victor Levin Copy Share Image
You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me… — Victor Levin Copy Share Image
You have to accept that the moment you hand a script to a director, even if you've written it as an original script, it… — Victor Levin Copy Share Image
My job, as I see it, is to give you a window into another world and another story, and then to be as graceful… — Victor Levin Copy Share Image
Your favorite story, whatever it might be, was written for one reader — Victor Levin Copy Share Image
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I… — Victor Levin Copy Share Image
I knew I wanted to work in Cinemascope because I find it much more beautiful just in terms of the shape of the screen,… — Victor Levin Copy Share Image
The stand-up really helped because you know the feeling when something feels true, and you know the feeling when it feels false. You don't… — Victor Levin Copy Share Image
I think everybody has a little rule follower and a little rule breaker in them. — Victor Levin Copy Share Image
