“He infused his ceiling fresco with Kabbalistic images that reflected the Kabbalistic pavement design below. He linked the Jewish ancestral tree to Jesus. He connected pagan philosophy and design with Judaism and Christianity. He joined his love of male beauty… — Benjamin Blech Copy Share
“So what was Michelangelo’s real message? “SELF-PORTRAIT OF THE ARTIST”? A more profound and legitimate explanation of the Sistine is that perhaps it is nothing less than a huge self-portrait of Michelangelo. The images are meant to reflect his life… — Benjamin Blech Copy Share Image
“If an artist of the caliber of Leonardo or Michelangelo was paid a hefty commission for a new private piece of art, that artwork had to be a constant delight and stimulus for the rest of the patron’s life, and then usually go on to become a family heirloom. If an artwork was commissioned by the government, it had to… — Benjamin Blech Copy Share
“The Florentine public didn’t care. When the full-sized preparatory cartoons were displayed, the entire city went into ecstasy over both works. This was the sign that the repressive days of Savonarola were really and truly gone for good, that Art and Beauty had come back home at last. Now came the part that Buonarroti had been dreading—actually having to paint… — Benjamin Blech Copy Share
“The floor is a fifteenth-century revival of medieval Cosmatesque mosaic style. The Cosmati family developed their unmistakable technique in Rome in the twelfth and thirteenth centuries. This decorating style was a fantasy of geometric shapes and swirls in cut pieces of colored glass and marble (much of which was “recycled” from pagan Roman palaces and temples). Stunning examples of authentic… — Benjamin Blech Copy Share
“Carafa, as Pope Paul IV, established the Index of Forbidden Books, banned all women from entering the Vatican, burnt volumes of Talmud and Kabbalah, threw the Jews of Rome into the ghetto, drained the Church’s savings while overtaxing the faithful in order to enrich his nephews and mistress, tortured and burned homosexuals in public, ordained two nephews (ages fourteen and… — Benjamin Blech Copy Share
“The Vatican preached that because the Jews had killed Jesus and rejected his teachings they were punished with the loss of their Holy Temple and the city of Jerusalem, as well as their homeland. In addition, they were damned to wander the earth forever as a divine warning to anyone who might refuse to obey the Church. (It is important… — Benjamin Blech Copy Share
“The Jew cannot accept the New Testament since it is the words of one man intended to undo what the Creator had shared with… — Benjamin Blech Copy Share Image
“THE VATICAN The very name Vatican comes from a surprising source. It is neither Latin nor Greek, nor is it of biblical origin. In fact, the word we associate with the Church has a pagan origin. More than twenty-eight centuries ago, even before the legendary founding of Rome by Romulus and Remus, there was a people called the Etruscans. Much… — Benjamin Blech Copy Share
“Buonarroti was later given the job of designing the huge dome of the new Basilica of St. Peter. It is well known how much… — Benjamin Blech Copy Share Image
“How to maintain the proper mood and not bore the congregation to sleep? Art was the answer. But not just pretty pictures that required only a short glance. It had to be art that would serve as an ever-unfolding, mesmerizing element of the religious ambience. That is another reason that the art in Michelangelo’s day was so complex—it had to… — Benjamin Blech Copy Share
“Yet another strategy for encoding in Renaissance works involved environmental “special effects.” Messages were ingeniously inserted so that they could be viewed only when one was in situ, in the very spot where the artist intended for the viewer to receive his true intent. Often this would be determined by how light coming from an actual window at the site… — Benjamin Blech Copy Share
“But last and least known is its additional purpose as a Kabbalistic meditational device that thus, in one more way, links it to ancient… — Benjamin Blech Copy Share Image
“Thus, Michelangelo filled the chapel with hidden messages of his passionate loves and his righteous rages, along with mystic symbols of divine justice and divine mercy. For him, the Sistine was indeed the Sanctuary, the neck of the world, but more than that, it was “The Bridge”—the bridge meant to unite people with God, with their fellow humans, and, perhaps… — Benjamin Blech Copy Share
