I tend not to think that anything I happen to be reporting on in my films is special. Meaning that people are always saying to me, 'you must love New York, you have it in all your films.' But mostly… — Ira Sachs Copy Share Image
My early films were about self discovery, and films of internal conflict. At that level, they were very personal. — Ira Sachs Copy Share Image
So there's a choice that I made to tell stories that are still psychological melodramas about domestic issues. The challenge is to figure out… — Ira Sachs Copy Share Image
My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight. — Ira Sachs Copy Share
I do love the young adult novels as a form and genre, because it has a purity of intention and heart. — Ira Sachs Copy Share Image
For me, an actor is really, first and foremost, a person and an individual, more than they are an actor or a professional. — Ira Sachs Copy Share Image
I make films that are very personal, and I always have. It's kind of the only thing that I think I have to offer as a filmmaker: the intimacy I've had with experience in a particular world, so the film comes from things I've seen and things I've felt. It gets transformed by the process. I don't think I'd ever… — Ira Sachs Copy Share
Everyone wants to belong, and everyone needs to belong in order to make a career on some level. — Ira Sachs Copy Share Image
I'm someone who can create critiques of individuals based on their economic history. That's one way I look at people in terms of one… — Ira Sachs Copy Share Image
I realize I have strength as an artist and professional by embracing my difference instead of what makes me the same. — Ira Sachs Copy Share Image
Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to… — Ira Sachs Copy Share Image
