“From all we have said about plotting in general it should be evident that even in those modern plots in which events happen by laws not immediately visible, as when, for instance, the tattooed man in the circus reveals in… — John Gardner Copy Share Image
“All to often, on the long road up, young leaders become servants of what is rather than shapers of what might be.” — John Gardner Copy Share Image
When I was a child I truly loved: Unthinking love as calm and deep As the North Sea. But I have lived, And now… — John Gardner Copy Share Image
“They only think they think. No total vision, total system, merely schemes with a vague family resemblance, no more identity than bridges and, say,… — John Gardner Copy Share Image
“Except in stock locutions, such as "You were paid yesterday," "The Germans were defeated," or "The project was abandoned," the passive voice is virtually useless in fiction except when used for comic effect, as when the writer mimics some fool's slightly pompous way of speaking or quotes some institutional directive. The active voice is almost invariably more direct and vivid:… — John Gardner Copy Share
“The instruction here is not for every kind of writer - not for the writer of nurse books or thrillers or porno or the cheaper sort of sci-fi - though it is true that what holds for the most serious kind of fiction will generally hold for junk fiction as well. (Not everyone is capable of writing junk fiction: It… — John Gardner Copy Share
“Good writers may “tell” about almost anything in fiction except the characters’ feelings. One may tell the reader that the character went to a private school (one need not show a scene at the private school if the scene has no importance for the rest of the narrative), or one may tell the reader that the character hates spaghetti; but… — John Gardner Copy Share
“the chief offense in bad fiction: we sense that characters are being manipulated, forced to do things they would not really do.” — John Gardner Copy Share Image
“There seems little or no hope for the adult writer who produces sentences like these: "Her cheeks were thick and smooth and held a healthy natural red color. The heavy lines under them, her jowls, extended to the intersection of her lips and gave her a thick-lipped frown most of the time." The phrase "Her cheeks were thick and smooth"… — John Gardner Copy Share
“In any long fiction, Henry James remarked, use of the first-person point of view is barbaric. James may go too far, but his point is worth considering. First person locks us in one character's mind, locks us to one kind of diction throughout, locks out possibilities of going deeply into various characters' minds and so forth. …Vulgar diction in the… — John Gardner Copy Share
Nothing can be more limiting to the imagination than only writing about what you know — John Gardner Copy Share Image
A nation that values bad philosophy above good plumbing will have neither good philosophy nor good plumbing — John Gardner Copy Share Image
The citizen can bring our political and governmental institutions back to life, make them responsive and accountable, and keep them honest. No one else… — John Gardner Copy Share Image
