Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century… — Joan Miro Copy Share Image
As regards my means of expression, I try my hardest to achieve the maximum of clarity, power, and plastic aggressiveness; a physical sensation to… — Joan Miro Copy Share Image
I think of my studio as a vegetable garden, where things follow their natural course. They grow, they ripen. You have to graft. You… — Joan Miro Copy Share Image
The works must be conceived with fire in the soul but executed with clinical coolness. — Joan Miro Copy Share Image
What I will no longer accept is the mediocre life of a modest little gentleman. — Joan Miro Copy Share Image
Never, never do I set to work on a canvas in the state it comes in from the shop. I provoke accidents - a form, a splotch of color. Any accident is good enough. I let the matiere decide. Then I prepare a ground by, for example, wiping my brushes on the canvas. Letting fall some drops of turpentine on… — Joan Miro Copy Share
If you have any notion of where you are going, you will never get anywhere. — Joan Miro Copy Share Image
A modeled form is less striking than one which is not. Modeling prevents shock and limits movement to the visual depth. Without modeling or… — Joan Miro Copy Share Image
Poetry and painting are done in the same way you make love; it's an exchange of blood, a total embrace - without caution, without… — Joan Miro Copy Share Image
For me an object is something living. This cigarette or this box of matches contains a secret life much more intense than that of… — Joan Miro Copy Share Image
