Lily Brown writes with and against things in poems that are coiled up tight as springs (or snakes). A believer in the power of the line, she writes, 'I think the plastics/and sink them' then 'Where is the sand/man hiding… — Rae Armantrout Copy Share Image
I am attracted to looking at the different things language can mean even in one sometimes quite ordinary utterance. Writing is partly about listening closely to yourself as you think or compose and being aware of the different tensions and weights among the words, the different directions any one of them could lead. I like to play with the multiplicity… — Rae Armantrout Copy Share
People probably long for something genuinely personal in a society where the personal is often indistinguishable from the "personalized." Maybe the poetry audience member… — Rae Armantrout Copy Share Image
Like most of my poems, 'Lie' has several sources: I read a very troubling book called The Sixth Extinction. I took note of the… — Rae Armantrout Copy Share Image
Poets tend to form loose groups - the "Romantics" or the "Imagists". And sometimes they write manifestoes in the name of these groups. This… — Rae Armantrout Copy Share Image
The ghosts swarm. They speak as one person. Each has left something undone. — Rae Armantrout Copy Share Image
Metaphor is ritual sacrifice. It kills the look-alike. No, metaphor is homeopathy. — Rae Armantrout Copy Share Image
Carried by light, images remain while sensation is so evanescent as to be always beyond belief. — Rae Armantrout Copy Share Image
