Yes, I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer. — Marina Abramovic Copy Share Image
I really think there's no difference between an art piece made by a man and one made by a woman. Is it a good… — Marina Abramovic Copy Share Image
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio… — Marina Abramovic Copy Share Image
In my work I have complete control, but about my life, I don't want to. — Marina Abramovic Copy Share Image
Performance is there, and if you are not there in that moment it happened, it just stays in the memory. It's so immaterial and… — Marina Abramovic Copy Share Image
I can explain my work to the cleaner or the president; it's all the same to me. I am very communist in this way. — Marina Abramovic Copy Share Image
My memoirs are full of humor, I had to change jokes because it was a little too dark. — Marina Abramovic Copy Share Image
To be in a magazine when you're 20 is okay, but when you do it when you're 65, it's much more fun! — Marina Abramovic Copy Share Image
Most of the time, the artists are not supposed to wear the fashion. It is always seen as a vanity. But I think I… — Marina Abramovic Copy Share Image
You know, art is very emotional business. But mostly it becomes not emotional, the fabric of commodity. It becomes business. It becomes so many… — Marina Abramovic Copy Share Image
I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him; it was so… — Marina Abramovic Copy Share Image
If I'm not nervous, I'm nervous. You never know how people are going to receive the work. — Marina Abramovic Copy Share Image
Today, our attention is less than the television advertisement. We're looking at six or seven problems constantly. We're living in the disturbed societies of… — Marina Abramovic Copy Share Image
