“The City went to me in a LANDSLIDE, and you know why? Because all it wants is decent television, a bit of… — Warren Ellis Copy Share Image
“This is the mainstream now, Mike. This is how life in America is . Moment by moment, our country has grown sicker.… — Warren Ellis Copy Share Image
“Another day down the mines of our lives. We drink 'til we stink and smoke 'til we choke because that's how we… — Warren Ellis Copy Share Image
“The point is, the only real tools we have are our eyes and our heads. It's not the act of seeing with… — Warren Ellis Copy Share Image
“Writer's block? I've heard of this. This is when a writer cannot write, yes? Then that person isn't a writer anymore. I'm… — Warren Ellis Copy Share Image
“You know what they say; if you're tired of London, you're tired of life.” — Warren Ellis Copy Share Image
“Lots of cops married nurses, Tallow knew. Nurses understood the life: murderous shiftwork, long stretches of boredom, sudden adrenaline spikes, blood everywhere.… — Warren Ellis Copy Share Image
“Why do I even have to say this? Why do I have to say "Get off the unique and probably alien living… — Warren Ellis Copy Share Image
When I'm working in finite serials, I always think in terms of the entire book rather than the individual episode because, by far, the… — Warren Ellis Copy Share Image
“IT TOOK a conscious effort for Tallow to keep his hand off his gun as he walked up the apartment building’s stairs. There was… — Warren Ellis Copy Share Image
“The ECTs are moving the guns in small batches," Bat said. "We're making them take so many photos that one of them asked if… — Warren Ellis Copy Share Image
“The two most dangerous things in the world are rich people and crazy people.” — Warren Ellis Copy Share Image
Here's the thing about Apple technology: once you own a piece, you want to use it. — Warren Ellis Copy Share Image
Journalism is just a gun. It’s only got one bullet in it, but if you aim right, that’s all you need. Aim it right,… — Warren Ellis Copy Share Image
“The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic… — Warren Ellis Copy Share Image
