“Try to avoid falseness and strain. Write what you really know about. Make it new. Don’t invent melodrama for the sake of it. Don’t try to run, let alone fly, before you can walk with ease.” — A.S. Byatt Copy Share Image
“He always told them the same thing, to begin with. ‘Try to avoid falseness and strain. Write what you really know about. Make it new. Don’t invent melodrama for the sake of it. Don’t try to run, let alone fly,… — A.S. Byatt Copy Share Image
“Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper… — A.S. Byatt Copy Share Image
“Why do you go cold?" He kept his voice gentle. "I - I've analysed it. Because I have the sort of good looks I… — A.S. Byatt Copy Share Image
“She was a thinking child, and worked this out. It hurt her, unlike most knowledge, which was strength and pleasure.” — A.S. Byatt Copy Share Image
“Those words . . . national and portrait. They were both to do with identity: the identity of a culture (place, language and history),… — A.S. Byatt Copy Share Image
“All these are true and none. The place is there Is what we name it, and is not. It is .” — A.S. Byatt Copy Share Image
“He had been taught that language was essentially inadequate, that it could never speak what was there, that it only spoke itself. He thought… — A.S. Byatt Copy Share Image
“ We must come to grief and regret anyway - and I for one would rather regret the reality than its phantasm, knowledge than… — A.S. Byatt Copy Share Image
“Roland had learned to see himself, theoretically, as a crossing-place for a number of systems, all loosely connected. He had been trained to see… — A.S. Byatt Copy Share Image
“She thought human thoughts and stone thoughts. The latter were slow, patchily coloured, textured and extreme, both hot and cold. They did not translate… — A.S. Byatt Copy Share Image
“She looked, quickly, quickly, it was better than before, thanked him and averted her eyes. She came to trust him with her disintegration.” — A.S. Byatt Copy Share Image
