“I have no use for a theoretic freedom. Let me have something finite, definite — matter that can lend itself to my operation only insofar as it is commensurate with my possibilities. And such matter presents itself to me together… — Igor Stravinsky Copy Share Image
Why is it that whenever I hear a piece of music I don't like, it's always by Villa Lobos? — Igor Stravinsky Copy Share Image
The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to… — Igor Stravinsky Copy Share Image
I remember being handed a score composed by Mozart at the age of eleven. What could I say? I felt like de Kooning, who… — Igor Stravinsky Copy Share Image
We can neither put back the clock nor slow down our forward speed, and as we are already flying pilotless, on instrument controls, it… — Igor Stravinsky Copy Share Image
It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But… — Igor Stravinsky Copy Share Image
Money may kindle, but it cannot by itself, and for very long, burn. — Igor Stravinsky Copy Share Image
One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles. — Igor Stravinsky Copy Share Image
One's belief that one is sincere is not so dangerous as one's conviction that one is right. We all feel we are right; but… — Igor Stravinsky Copy Share Image
A composer is not only an architect but also an inventor, and he should not build houses in which he cannot live. — Igor Stravinsky Copy Share Image
Harpists spend 90 percent of their lives tuning their harps and 10 percent playing out of tune. — Igor Stravinsky Copy Share Image
