You begin by engaging the left hemisphere of the brain with the overall shape, the basic structure of the painting, and then eventually you engage with the colour, with the mood of the painting and then you are entering the… — Guido Molinari Copy Share Image
I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a need to paint in red. To be… — Guido Molinari Copy Share Image
You begin by engaging the left hemisphere of the brain with the overall shape, the basic structure of the painting, and then eventually you… — Guido Molinari Copy Share Image
With monochrome painting... the idiosyncrasy of the work, its difference, its expression, lies in shape. — Guido Molinari Copy Share Image
Just as with the quartet, each part of a painting is telling a different story. — Guido Molinari Copy Share Image
In a way, the blank canvas... represents the infinity of trying to use color to express emotions - to assign a linguistic function to… — Guido Molinari Copy Share Image
Anything is of course inexhaustible, because at each moment the brain has a different pattern to construct. — Guido Molinari Copy Share Image
The question of painting is bound up with epistemology, with the engagement of the viewer, with what the viewer may learn. — Guido Molinari Copy Share Image
I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea.… — Guido Molinari Copy Share Image
Just listening carefully to what the musicians are really doing, putting the music in the right time... I became aware of the degree to… — Guido Molinari Copy Share Image
Seeing is looking at something in saturation. But we tend to look at something for, say, 1/30 of a second. — Guido Molinari Copy Share Image
It's impossible to just localize your perceptions - because the stimuli come from both eyes. — Guido Molinari Copy Share Image
