“Because people who live their lives this way can look forward to a single destiny, shared with others of this type - though such people do not believe they represent a type, but feel themselves distinguished from the common run… — Sheila Heti Copy Share Image
“Most people live their entire lives with their clothes on, and even if they wanted to, couldn't take them off. Then there are those who cannot put them on. They are the ones who live their lives not just as… — Sheila Heti Copy Share Image
I believe there's a platonic ideal for every book that is written, like there's the perfect version of the book somewhere in the ether,… — Sheila Heti Copy Share Image
I really enjoyed the process of 'Women in Clothes,' but there's no way I would have done that again. It felt more like being… — Sheila Heti Copy Share Image
“style is about knowing what you like and why you like it, more than anything else. GRACE” — Sheila Heti Copy Share Image
I'd rather that people could be both entertained and given rest while reading my book than for someone to have to put the book… — Sheila Heti Copy Share Image
“I know that character exists from the outside alone. I know that inside the body there's just temperature.” — Sheila Heti Copy Share Image
I don't think about the reader when I'm writing, but I do when I'm editing, of course. For instance, I self-consciously didn't want to… — Sheila Heti Copy Share Image
“She had thought that when someone died, it would be like they went into a different room. She had not known that life itself… — Sheila Heti Copy Share Image
It's so weird how our existence hinges on just absolute crazy chance, but it feels so essential. It's like, 'Nothing would be here if… — Sheila Heti Copy Share Image
In 'Sweet Days of Discipline,' the narrator, years after graduating, fortuitously encounters her old friend Frederique at a movie theatre. Frederique invites her home. — Sheila Heti Copy Share Image
Women without children can help mothers, and we can just be all in this together. — Sheila Heti Copy Share Image
