A piece of literature can be many things but first of all it must capture its audience. You need to seduce people, entice them into a world of beauty and horror, light and shadow, of passion, of romance, of mystery.… — Carlos Ruiz Zafon Copy Share Image
Who are the lunatics? The ones who see horror in the heart of their fellow humans and search for peace at any price? Or the ones who pretend they don't see what's going on around them? The world belongs either… — Carlos Ruiz Zafon Copy Share Image
“Our world will not die as a result of the bomb, as the papers say, it will die of laughter, of banality, of making a joke… — Carlos Ruiz Zafon Copy Share Image
“I carried the trace of her lips, of her breath on my skin through streets full of faceless people escaping from offices and shops.” — Carlos Ruiz Zafón Copy Share Image
“Nekada davno, u djetinjstvu, možda is toga što sam odrastao među knjigama i knjižarima, odlučio sam da želim postati pisac i živjeti životom punim… — Carlos Ruiz Zafón Copy Share Image
“nations never see themselves clearly in the mirror, much less when war preys on their minds.” — Carlos Ruiz Zafón Copy Share Image
People might not agree with me, but I think a woman should have a feminine shape, something you can get your hands on. You,… — Carlos Ruiz Zafon Copy Share Image
“But I couldn't absorb the idea that death could actually walk by my side, with a human face and a heart that was poisoned… — Carlos Ruiz Zafón Copy Share Image
Once I'd worked out that I couldn't possibly expect people to enjoy a monstrous, 3000-page book, I realised I could in fact create a labyrinth of a story with four different points of entry. But what interested me was creating something that would rearrange itself every time you read one of the other books. So depending on which order you… — Carlos Ruiz Zafon Copy Share
The haunting of history is ever present in Barcelona. I see cities as organisms, as living creatures. To me, Madrid is a man and… — Carlos Ruiz Zafon Copy Share Image
“The main pillar of organized religion, with few exceptions, is the subjugation, repression, even the annulment of women in the group. Woman must accept the role of an ethereal, passive, and maternal presence, never of authority or independence, or she will have to suffer the consequences. She might have a place of honor in the symbolism, but not in the… — Carlos Ruiz Zafón Copy Share
