In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and… — Stuart Dybek Copy Share Image
Our plans for the future made us laugh and feel close, but those same plans somehow made anything more than temporary between us seem… — Stuart Dybek Copy Share
Héctor Tobar's accomplished first novel affords a perspective that is overdue and urgently needed in North American literature- -an insider's vision of L.A. as… — Stuart Dybek Copy Share
“Rather than feeling that every moment you’ve got to exert this enormous control, you can take the attitude that your job as a writer… — Stuart Dybek Copy Share
In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE… — Stuart Dybek Copy Share
“Perhaps it's something other than insomnia, to lie listening to children yelling as if they've re-created light; to try to dream, but succeed only… — Stuart Dybek Copy Share
Loaded with note cards for research papers that I was hopelessly behind on, I'd enter the Public Library only to end up wandering around… — Stuart Dybek Copy Share
“Sometimes, in a tight game with runners on, digging in at short, ready to break with the ball, a peace I'd never felt before… — Stuart Dybek Copy Share
But we didn't, not in the moonlight, or by the phosphorescent lanterns of lightning bugs in your back yard, not beneath the constellations we… — Stuart Dybek Copy Share
“I had this sudden awareness,' she continues, 'of how the moments of our lives go out of existence before we're conscious of having lived… — Stuart Dybek Copy Share
“In summer, waiting for night, we’d pose against the afterglow on corners, watching traffic cruise through the neighborhood. Sometimes, a car would go by… — Stuart Dybek Copy Share
“What art does is give us the refinement, all the shades of meaning, of emoting, that we don’t have language for. What fascinates me… — Stuart Dybek Copy Share
From its aptly noirish title on, Martin Preib's The Wagon has rightness of authenticity about it. From the perspective of a cop he fashions… — Stuart Dybek Copy Share
Love, it’s such a night, laced with running water, irreparable, riddled with a million leaks. A night shaped like a shadow thrown by your… — Stuart Dybek Copy Share
In creation myths, a god shapes mud or clay into living form, much like a potter throws a pot or a sculptor reveals the… — Stuart Dybek Copy Share
