In the '50s Morris Louis and I were not known, David Smith and Helen Frankenthaler were not much known. — Kenneth Noland Copy Share Image
For me context is the key - from that comes the understanding of everything. — Kenneth Noland Copy Share Image
Because of this the representation I'm interested in is of those things only the eye can touch. — Kenneth Noland Copy Share Image
Pollock was well known, certainly, but for all the wrong reasons. He was known as much for being wild and unconventional in his working… — Kenneth Noland Copy Share Image
I met David Smith through my former wife, Cornelia, who'd studied with him. — Kenneth Noland Copy Share Image
With artists of my own generation there was at first no group identity - and never a clique. — Kenneth Noland Copy Share Image
The scene then as now was centered in New York. For the most part, I've kept a bit apart from that attractive and seductive… — Kenneth Noland Copy Share Image
As time goes on, I realize more and more that, beginning in the early 30's, David Smith began setting the precedent for what was… — Kenneth Noland Copy Share Image
I've also been willing to share any help that I could give to any other artist. — Kenneth Noland Copy Share Image
