The creative part, with the writing of it and the vision, and finding the voice of a show and the characters, is… — Ronald D. Moore Copy Share Image
There are some good space battles in some of the later series, but that wasn't why you were tuning in every week. You were… — Ronald D. Moore Copy Share Image
'Generations,' we slaved over for a year; we worked it over and over and over again, and in the end, it just fell short. — Ronald D. Moore Copy Share Image
When we're shooting, I commute to the UK, every three weeks or so, and that's hard. That's probably the toughest, physically, on me. It's… — Ronald D. Moore Copy Share Image
When Kirk dies it was very emotional and very strange, in the moment and all the way through the process. I'd read it in… — Ronald D. Moore Copy Share Image
I'm just smart enough to know what it is I don't know and try to learn as I go along and accept that you're… — Ronald D. Moore Copy Share Image
It was difficult, and yet I was very eager to do it. It was a really odd thing. I really wanted to do that… — Ronald D. Moore Copy Share Image
I was very pleased with the way that the show ended creatively and personally. It just feels like we've completed the piece. And now… — Ronald D. Moore Copy Share Image
What got my interested in science fiction was actually the American space program. — Ronald D. Moore Copy Share Image
I'm a writer. That's who I am, at my core. I'm a writer, and then I learned production and administration, along the way. I… — Ronald D. Moore Copy Share Image
It's been an old saw in science fiction for a long time, since 'Frankenstein,' that we're going to create life that's going to turn… — Ronald D. Moore Copy Share Image
The danger of serialization is that you almost get into a monotone - where they all have the same beat and pace, and it's… — Ronald D. Moore Copy Share Image
“The flower inside the fruit that is both its parent and its child. Decadent as ancestors. The portal and that which passes. Nuclear devices… — Ronald D. Moore Copy Share Image
