I was used to getting changed in pub toilets before going on set. Then suddenly I had studios in L.A. advising me on my hair. — Harry Treadaway Copy Share Image
The story revolved around this universal identifiable fear that we must all have, at some point, when you commit yourself to being with another person, to have and to hold until death do us part. It's a huge thing. I just felt like it was a brilliant examination of what would happen, if the person that you trusted implicitly and… — Harry Treadaway Copy Share
Tone is always such an important thing, and that's achieved through a multitude of people. It comes through the writing, it comes through the… — Harry Treadaway Copy Share Image
I may live in London, but I'll go back to the country one day. My dad's an architect, so I would like him to… — Harry Treadaway Copy Share Image
The strength of the script, for me, was that you're really left, right till the end, to know what's happening. This seemingly perfect, happy,… — Harry Treadaway Copy Share Image
I love playing a character that has more than 90 minutes, and that keeps going. — Harry Treadaway Copy Share Image
I'll always have a house in London; I'll always call it my home. There might be moments when I get to go and work… — Harry Treadaway Copy Share Image
The different variables involved in anything creative, really, are massive. When it comes together, it just clicks, I suppose. — Harry Treadaway Copy Share Image
You just want to find a story that grabs you and that you've never seen before, but somehow you can't imagine it not existing.… — Harry Treadaway Copy Share Image
I was lucky, I had support from Mum and Dad - they said as long as you work hard, anything is possible. I never… — Harry Treadaway Copy Share Image
'The Night Watch' is a beautiful story about the pains of dealing with what you are. — Harry Treadaway Copy Share Image
