That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. — Thelma Schoonmaker Copy Share Image
I don't think you can be a great director without knowing a lot about editing. — Thelma Schoonmaker Copy Share Image
I love being around great artists, and I've been around a few of them. — Thelma Schoonmaker Copy Share Image
Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have… — Thelma Schoonmaker Copy Share Image
We don't worry about continuity because when we're doing so many improvs, it's better to get the laugh. It's better to get… — Thelma Schoonmaker Copy Share Image
I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump… — Thelma Schoonmaker Copy Share Image
In 'Casino,' there was this scene where Bob De Niro tape-records Sharon Stone's phone call. Then he asks her about where she's… — Thelma Schoonmaker Copy Share Image
There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're… — Thelma Schoonmaker Copy Share Image
I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been… — Thelma Schoonmaker Copy Share Image
All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I… — Thelma Schoonmaker Copy Share Image
People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary… — Thelma Schoonmaker Copy Share Image
From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about… — Thelma Schoonmaker Copy Share Image
'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right… — Thelma Schoonmaker Copy Share
Film, if properly cared for, will last almost 100 years, but digital will not. — Thelma Schoonmaker Copy Share
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. — Thelma Schoonmaker Copy Share
People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings… — Thelma Schoonmaker Copy Share
Throwing things out is one of the most difficult and important things you ever have to do. — Thelma Schoonmaker Copy Share
That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. — Thelma Schoonmaker Copy Share
One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied,… — Thelma Schoonmaker Copy Share
Even though my parents are American, I spent my whole childhood and adolescence abroad. — Thelma Schoonmaker Copy Share
When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need… — Thelma Schoonmaker Copy Share
In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when… — Thelma Schoonmaker Copy Share
Michael's Powell art director was a painter and they had a wonderful friendship and artistic understanding. Michael himself, in the way he designed his… — Thelma Schoonmaker Copy Share
I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it… — Thelma Schoonmaker Copy Share
Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know… — Thelma Schoonmaker Copy Share
