I wanted to write about voodoo tradition that I feel has been very important to survival of black people here: people of the African… — Jesmyn Ward Copy Share Image
I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and… — Jesmyn Ward Copy Share Image
There's so much I love about home, but then there's a lot that I can acknowledge that I dislike about home. And acknowledging that… — Jesmyn Ward Copy Share Image
“The dream of her was the glow of a spent fire on a cold night: warm and welcoming.” — Jesmyn Ward Copy Share Image
The first writer that I think of immediately that I studied with at Michigan is Peter Ho Davies. He was really important to me,… — Jesmyn Ward Copy Share Image
I feel like so much of what happened in the Delta over the decades since slavery was abolished seems much closer in the Delta,… — Jesmyn Ward Copy Share Image
“Vines catch my arms, my head; we tear through until we break out into the clearing before the fence, the field, the barn, the… — Jesmyn Ward Copy Share Image
“Before all the little mean things she told me gathered and gathered and lodged like grit in a skinned knee.” — Jesmyn Ward Copy Share Image
People give the South a bad rap. It's often stereotyped as backwards and close-minded and dogmatic, and all of those things have been true.… — Jesmyn Ward Copy Share Image
By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events… — Jesmyn Ward Copy Share Image
When I was a teenager, I was the only black girl at a small, private Episcopal school, where my tuition was paid by the… — Jesmyn Ward Copy Share Image
She was the murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies, as blind puppies, as sun-starved newly hatched baby snakes. She left us a dark Gulf and salt-burned land. She left us to learn to crawl. She left us to salvage. Katrina is the mother we will… — Jesmyn Ward Copy Share
