Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it… — Ada Louise Huxtable Copy Share Image
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington. — Ada Louise Huxtable Copy Share Image
There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of… — Ada Louise Huxtable Copy Share Image
One of the most basic human instincts is the need to decorate. Nothing is exempt - the body, the objects one uses, from intimate… — Ada Louise Huxtable Copy Share Image
The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on. — Ada Louise Huxtable Copy Share Image
the search for the ultimate skyscraper goes on. ... At worst, overbuilding will make urban life unbearable. At best, we will go out in… — Ada Louise Huxtable Copy Share Image
Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the… — Ada Louise Huxtable Copy Share Image
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of… — Ada Louise Huxtable Copy Share Image
Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel. — Ada Louise Huxtable Copy Share Image
The New York Hilton is laid out with a competence that would make a computer blush. — Ada Louise Huxtable Copy Share Image
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind. — Ada Louise Huxtable Copy Share Image
Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty. — Ada Louise Huxtable Copy Share Image
