For me, this is one of the advantages of not using digital, I never know when I have a good photograph! I practice doubt as a way to push myself into alternative compositions by selective focus, different speeds of exposure,… — Michael Kenna Copy Share Image
I don't think it is even possible to define what a good photograph is, so it is difficult to instruct anybody how to make one. Beauty and aesthetics are subjective, and very much in the mind of the beholder. — Michael Kenna Copy Share Image
The golden rule in the arts, as far as I am concerned, is that all rules are meant to be broken. — Michael Kenna Copy Share Image
I gravitate towards places where humans have been and are no more, to the edge of man's influence, where the elements are taking over… — Michael Kenna Copy Share Image
Getting photographs is not the most important thing. For me it's the act of photographing. It's enlightening, therapeutic and satisfying, because the very process… — Michael Kenna Copy Share Image
In my photographic work I'm generally attracted to places that contain memories, history, atmospheres and stories. I'm interested in the places where people have… — Michael Kenna Copy Share Image
The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've… — Michael Kenna Copy Share Image
I believe that we photographers don't benefit very much with answers from other photographers. What is more beneficial is to ask questions of ourselves… — Michael Kenna Copy Share Image
My advice to any budding artist is never to be satisfied with imitating others. This is but a means to an end. A serious… — Michael Kenna Copy Share Image
I enjoy places that have mystery and atmosphere, perhaps a patina of age, a suggestion rather than a description, a question or two. I… — Michael Kenna Copy Share Image
One needs to fully accept that surprises sometimes happen and complete control over outcome is not necessary or even desirable. — Michael Kenna Copy Share Image
Different assignments, different places, require different approaches. Sometimes I take minutes in a location, at other times days. There are many places that I… — Michael Kenna Copy Share Image
I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level… — Michael Kenna Copy Share Image
I believe that every photographer, every artist, should choose materials and equipment based on their own vision. I don't believe that non-digital is necessarily… — Michael Kenna Copy Share Image
Perhaps most intriguing of all is that it is possible to photograph what is impossible for the human eye to see - cumulative time. — Michael Kenna Copy Share Image
As a landscape photographer we should be open to possibilities, for one thing often leads to another. — Michael Kenna Copy Share Image
