Originally the structure was . . . a modern narrator who would appear intermittently and talk about his memories of his grandmother, which would then be juxtaposed against scenes from the past. But the stories from the past were always… — David Henry Hwang Copy Share Image
For a long time, it was hard for me to get my work done in Chicago. Silk Road gave me opportunities to do shows like 'Golden Child' - shows that nobody else seemed interested in. And they bring an artistic… — David Henry Hwang Copy Share Image
I felt pretty good growing up. I didnt feel a lot of prejudice or racism. But I do remember, if there was going to be a movie or a television show with Asian characters, I would go out of my way to avoid them, because they portrayed all Asians as either ridiculously good or ridiculously bad; you know, the whole… — David Henry Hwang Copy Share
I visited a new cultural center in Shanghai in 2005 that was pretty much perfect, except for the really badly translated Chinglish signs: a… — David Henry Hwang Copy Share Image
My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally… — David Henry Hwang Copy Share Image
I think that plays are probably the most personal, because it's just me in charge, but sometimes it's just really - I think that… — David Henry Hwang Copy Share Image
“And you wonder, what's wrong with me? Will anyone beautiful want me?” — David Henry Hwang Copy Share Image
As Asian-Americans, the charge that is often lobbed against us is sort of the least original: the idea that somehow we're perpetual foreigners, that… — David Henry Hwang Copy Share Image
Chinese culture in general is not very religious. Confucianism is more a code of ethics than a religion, and ancestor worship is a way… — David Henry Hwang Copy Share Image
My new play 'Chinglish,' which will go to Broadway, is about a white American businessman who goes to a provincial capital in China, hoping… — David Henry Hwang Copy Share Image
. . . I felt I was finally in a position to affect not only the artistic content of the American theatre, but also… — David Henry Hwang Copy Share Image
Yes, I am one of those people who feels that most of my work is adaptation of one sort or another. For me, it's… — David Henry Hwang Copy Share Image
