Whoever would like to look and see what someone is saying behind all the show, glitter, scenery, whatever it may be, and see what ideas are being expressed beyond and below and above that, can do that, as well. — Sergio Leone Copy Share Image
Virginia Woolf was one example. She was called the "Lover of 100 Gangsters." — Sergio Leone Copy Share Image
I don't enter into particulars with [Ennio Morricone]. I give him the feeling and the suggestions of the characters. — Sergio Leone Copy Share Image
It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas. — Sergio Leone Copy Share Image
Especially in gangster films, with the gangster's moll - she would always be more or less of an object. And I'm not convinced of… — Sergio Leone Copy Share Image
When you manage to express something with a look and the music instead of saying it with words or having the character speak, I… — Sergio Leone Copy Share Image
My mother was an actress. My father was an actor and a director. I am the son of filmmakers. — Sergio Leone Copy Share Image
It's a little hard to avoid putting both war and politics in, in that they both come into the activity, but on their own.… — Sergio Leone Copy Share Image
My films are often characterized by the lack of women present in them, except for this last one [Once Upon a Time in America]. — Sergio Leone Copy Share Image
I don't want to do a war film per se. Nor do I want to do a political film. — Sergio Leone Copy Share Image
I'm not saying that the Americans had the same impact as the Jesuits, but I do see them as a very specialized populace, even… — Sergio Leone Copy Share Image
The world is in America. In Italy is only Italy. France is full of France. Germany is full of Germany. In a continent that… — Sergio Leone Copy Share Image