I grew up as a little 4- and 5-year-old kid, watching Phil Tippett and my dad make monsters in our garage. That's what I did, as a child. — Robert Stromberg Copy Share Image
I used to do stop motion in my own garage and Claymation and all that stuff. That led to doing backgrounds and matte paintings. I started doing matte paintings professionally back before the computer, sort of painting on glass. — Robert Stromberg Copy Share Image
Something happened when I was in elementary school. A Disney artist named Bruce McIntyre retired, and he had done drawings for 'Pinocchio' and 'Snow… — Robert Stromberg Copy Share Image
Is making a movie true love if you're a creative person? It could be. But in my world, the importance of being a father… — Robert Stromberg Copy Share Image
It's hard to say what iconically will hit, resonate and stay with people. — Robert Stromberg Copy Share Image
I know, being a father myself, what my interpretation of true love is, or the essence of love, and you can apply it to… — Robert Stromberg Copy Share Image
Completing a piece of art and using all of the elements of making a film, was satisfying, for sure. — Robert Stromberg Copy Share Image
I would be perfectly happy doing an indie film that had some really cool creative ideas. — Robert Stromberg Copy Share Image
My dad was a low budget film director. I grew up as a kid making movies, based on the love of seeing what my… — Robert Stromberg Copy Share Image
I grew up as a little 4- and 5-year-old kid, watching Phil Tippett and my dad make monsters in our garage. That's what I… — Robert Stromberg Copy Share Image
I moved out to Los Angeles with the idea of becoming a director, which thousands, if not tens and hundreds of thousands, of people… — Robert Stromberg Copy Share Image
I used to do stop motion in my own garage and Claymation and all that stuff. That led to doing backgrounds and matte paintings.… — Robert Stromberg Copy Share Image
My father was a low-budget monster movie maker, so he made classics like 'The Crater Lake Monster.' There were always creatures around. And my… — Robert Stromberg Copy Share Image
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what… — Robert Stromberg Copy Share Image
