No longer do we accept the 'sublimation model' according to which 'the function of art is to sublimate or transform experience, raising… — Rosalind E. Krauss Copy Share Image
By exposing the multiplicity, the facticity, the repetition and stereotype at the heart of every aesthetic gesture, photography deconstructs the possibility of differentiating between… — Rosalind E. Krauss Copy Share Image
The frame announces that between the part of reality that was cut away and this part there is a difference; and that this segment… — Rosalind E. Krauss Copy Share Image
Photographic cropping is always experienced as a rupture in the continuous fabric of reality. — Rosalind E. Krauss Copy Share Image
Every photograph is the result of a physical imprint transferred by light reflections onto a sensitive surface. The photograph is thus a type of… — Rosalind E. Krauss Copy Share Image
To convulse reality from within, to demonstrate it as fractured spacing, became the collective result of all that vast range of techniques to which… — Rosalind E. Krauss Copy Share Image
... photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world… — Rosalind E. Krauss Copy Share Image
Here is a paradox. It would seem that there cannot be surrealism and photography, but only photography or surrealism. — Rosalind E. Krauss Copy Share Image
No longer do we accept the 'sublimation model' according to which 'the function of art is to sublimate or transform experience, raising it from… — Rosalind E. Krauss Copy Share Image
More than a rejection or dissolution of the past, avant-garde originality is conceived as a literal origin, a beginning from ground zero, a birth. — Rosalind E. Krauss Copy Share Image
Photography's vaunted capture of a moment in time is the seizure and freezing of presence. It is the image of simultaneity, of the way… — Rosalind E. Krauss Copy Share Image
