“There were counter-protests, of course, and in the end Mapplethorpe’s work was exhibited, but the message to the arts community was clear: stray too far from the innocuous, and the axe would fall. Call it selective censorship: freedom of expression… — David Bayles Copy Share
The seed of your next artwork lies embedded in the imperfections of your current piece. — David Bayles Copy Share Image
The seed of your next artwork lies embedded in the imperfections of your current piece. Such imperfections are your guides - valuable, objective, non-judgmental… — David Bayles Copy Share Image
“But the important point here is not that you have — or don’t have — what other artists have, but rather that it doesn’t matter. Whatever they have is something needed to do their work — it wouldn’t help you in your work even if you had it. Their magic is theirs. You don’t lack it. You don’t need it.… — David Bayles Copy Share
“In essence, art lies embedded in the conceptual leap between pieces, not in the pieces themselves. And simply put, there’s a greater conceptual jump… — David Bayles Copy Share Image
“But while mastering technique is difficult and time-consuming, it’s still inherently easier to reach an already defined goal — a “right answer” — than… — David Bayles Copy Share Image
“There were counter-protests, of course, and in the end Mapplethorpe’s work was exhibited, but the message to the arts community was clear: stray too far from the innocuous, and the axe would fall. Call it selective censorship: freedom of expression was guaranteed unless it was expressed in a work of art. The most amazing aspect of this American morality play… — David Bayles Copy Share
Art is a high calling - fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines,… — David Bayles Copy Share Image
“Sometimes to see your work’s rightful place you have to walk to the edge of the precipice and search the deep chasms. You have… — David Bayles Copy Share Image
“Fears arise when you look back, and they arise when you look ahead. If you're prone to disaster fantasies, you may even find yourself caught in the middle, staring at your half-finished canvas and fearing both that you lack the ability to finish it, and that no one will understand it if you do. Fears arise when you look back,… — David Bayles Copy Share
“But is the Mona Lisa really art? Well then, what about an undetectably perfect copy of the Mona Lisa? That comparison (however sneaky) points up the fact that it’s surprisingly difficult, maybe even impossible, to view any single work in isolation and rule definitively, “This is art” or “This is craft.” Striking that difference means comparing successive pieces made by… — David Bayles Copy Share
The hardest part of art-making is living your life in such a way that your work gets done-over and over-and that means, among other… — David Bayles Copy Share Image
