I always found that kind of hard, and even though Gene Kelly was also a taskmaster, Bobby [Fosse] was tougher. — Debbie Reynolds Copy Share Image
I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The… — Alfonso Gomez-Rejon Copy Share Image
Pippin had an opening number called "Magic to Do," and Jules Fisher, the brilliant lighting designer lit it. Tony Walton did all… — David Copperfield Copy Share Image
Bobby [Fosse] was very difficult to work with, he wanted to be a big star at MGM, but it was the end… — Debbie Reynolds Copy Share Image
If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era… — David Copperfield Copy Share Image
A few years later, when I was still going to these meetings, I was also "second-acting" every Broadway show [walking in with… — David Copperfield Copy Share Image
[Bob Fosse] was a temperamental fellow - it was his way or the highway. — Debbie Reynolds Copy Share Image
All of the [Bob] Fosse-esque movements and point of view informed years and years of what I would do. — David Copperfield Copy Share Image
The heads of the studios, like Louis B. Mayer, didn't want to create any more musical stars. So Bobby [Fosse] left and… — Debbie Reynolds Copy Share Image
Sergio Trujillos choreography adds coals to the inferno, with movement that plain just doesnt stop. We know from Jersey Boys that he… — Richard Ouzounian Copy Share Image
That's very important to me as well: presentation and how people perceive you, the visual of how things look, your posture. I… — Judd Apatow Copy Share Image