Our job is to unleash the play. It's not just about your character or interaction with the other characters. There's an energy in all good plays which you have to find. And that is part and parcel of ensuring that… — Glenda Jackson Copy Share Image
I find it extraordinary that contemporary dramatists don't find women interesting. Women are rarely, if ever, the central dramatic engine; they're there as an adjunct, and that hasn't changed at all. — Glenda Jackson Copy Share Image
I studiously avoid any academic dissections of the play and any kind of previous experience of playing. For me, it's all in the play. — Glenda Jackson Copy Share Image
You don't do a play to compete for an award. This was the argument I always had over the Oscars. I didn't win them.… — Glenda Jackson Copy Share Image
You'd think is something one would grow out of. But you grow into it. The more you do, the more you realize how painfully… — Glenda Jackson Copy Share Image
I'm less confident now than I've ever been. In this peculiar craft, confidence is something you spend a lifetime losing. I used to be… — Glenda Jackson Copy Share Image
The best teacher is an audience. The ideal performance is when that group of strangers sitting in the dark gets energy from the group… — Glenda Jackson Copy Share Image
Usually, if there is a woman's part in a piece, there's only one, so you've got no other actresses to work with. — Glenda Jackson Copy Share Image
