We have new tools that can give the audience a sense of not only being there, which is the key element in an IMAX film, but also seeing things in a way that they won't see on television or in… — Greg MacGillivray Copy Share Image
I love the ocean; growing up around Laguna Beach, I spent my summers surfing, diving, and snorkeling. — Greg MacGillivray Copy Share
My job is to find the stories, find where to go, do the research, do the logistics, be there on location, and do as… — Greg MacGillivray Copy Share
Film has far more color shades. It's called 'bit depth' in digital terms. And most bit depth in digital is about twelve, but film… — Greg MacGillivray Copy Share
Marine scientists predict that by 2050 there will be no more large fish left in the ocean if we don't change our relationship with… — Greg MacGillivray Copy Share
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame… — Greg MacGillivray Copy Share
Not only have I made films about the subject, but I've largely funded them on my own, so I'm fully committed to doing whatever… — Greg MacGillivray Copy Share
At first, the tornado is nearly invisible. Against the sky, it's white on white. — Greg MacGillivray Copy Share
What's happening on the Colorado River is happening all over the world. The water is overused, overdammed, and it's polluted in some places. — Greg MacGillivray Copy Share
We have new tools that can give the audience a sense of not only being there, which is the key element in an IMAX… — Greg MacGillivray Copy Share
With digital, you do have the advantage of having an absolutely rock steady image because there's no projector gate, no perforations, no film weaving… — Greg MacGillivray Copy Share
What I love about IMAX is that, when you're in an IMAX theater, in a museum, science center or aquarium, it's eight stories tall… — Greg MacGillivray Copy Share
I've been using the power of the IMAX medium, with its gigantic screens and supervivid pictures, to get people to fall in love with… — Greg MacGillivray Copy Share
In a normal movie, the director controls what you look at. The shots don't last very long because you're getting the audience to look… — Greg MacGillivray Copy Share
There are major challenges, when it comes to making a film in the Arctic. When you're filming wildlife and that wildlife doesn't necessarily take… — Greg MacGillivray Copy Share
The ocean is our planet's life support system, yet in my travels and at home, I've seen its degradation firsthand. — Greg MacGillivray Copy Share
