I'm just trying to progress with every film I make and become better. — Yorgos Lanthimos Copy Share Image
We were fortunate enough to shoot 'Alps' - write the script and shoot it - right after 'Dogtooth' premiered in Cannes. So… — Yorgos Lanthimos Copy Share Image
I never think about it much, the visual aspect of it, until we start making the movie. I don't really think about… — Yorgos Lanthimos Copy Share Image
I was making commercials. That's how I learned the craft. That was the marketing part of it: directing commercial for TV. It… — Yorgos Lanthimos Copy Share Image
'The Lobster,' at some point, was my most accessible film. Then I made 'The Killing of a Sacred Deer,' which turned out… — Yorgos Lanthimos Copy Share Image
For me, casting is very instinctive, and if I don't feel good about it, I just can't go ahead and make the… — Yorgos Lanthimos Copy Share Image
You tend to be more attentive when you shoot on film because, you know, it costs more, and everybody needs to be… — Yorgos Lanthimos Copy Share Image
I'm planning some films in the U.K., and it will have pros and cons. It takes a lot more time to set… — Yorgos Lanthimos Copy Share Image
Whenever a film doesn't follow to the letter the preset strict conventional rules of today's commercial cinema, it's considered weird. — Yorgos Lanthimos Copy Share Image
I am calm but on the outside, mostly. When I'm on a film set, the stress is so humongous that I'm dying… — Yorgos Lanthimos Copy Share Image
Having a couple of films that were successful internationally has made the film community aware of the films coming out of Greece. — Yorgos Lanthimos Copy Share Image
It's true that there are younger people making films, and there are different kinds of films. This has created some attention in… — Yorgos Lanthimos Copy Share Image
Even before the economic crisis in Greece there was no structure for making films - no proper industry, and the structure didn't… — Yorgos Lanthimos Copy Share Image
I always loved films, and when I decided to go to film school, it was with the excuse that I would go… — Yorgos Lanthimos Copy Share Image
The best way to watch a film is to not know anything about the person who made it. — Yorgos Lanthimos Copy Share Image
The most important thing is to allow gaps and openings for people to make up their own minds - I don't want… — Yorgos Lanthimos Copy Share Image
As long as I can make the films I want to make in decent conditions, I am happy. — Yorgos Lanthimos Copy Share Image
I'm just trying to progress with every film I make and become better. — Yorgos Lanthimos Copy Share Image
For me, filmmaking is not about making statements but about exposing human behavior so people are eager enough to start thinking on their own… — Yorgos Lanthimos Copy Share Image
When people don't understand what they're watching, a lot of what they perceive has to do with who they themselves are. — Yorgos Lanthimos Copy Share Image
No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero movie.' Though if one did, that would… — Yorgos Lanthimos Copy Share Image
I learned about making films by going into advertising, making commercials. — Yorgos Lanthimos Copy Share Image
I don't have time to read much. I'm trying to read 'The Brothers Karamazov' again, for a year now - I keep getting halfway,… — Yorgos Lanthimos Copy Share Image
Yeah, it shouldn't be an issue. Stories about women, about men, about homosexuals, about heterosexuals. We shouldn't point at what it is. — Yorgos Lanthimos Copy Share Image
I think it's been obvious from the beginning that my projects are not going to be something that people already have in mind. You… — Yorgos Lanthimos Copy Share Image
Anytime people see an emotion that is not extremely emotional, they call it 'deadpan.' — Yorgos Lanthimos Copy Share Image
